Focuses on three concentrations:
- Community-based, arts activism
- Studies of visual culture
- Critical ethnographies
Focuses on training and education in:
- Performance
- Composition
- Dance theory
- Videography
- Dance in the public sphere
Focuses in training those pursuing a professional choreographic career
Focuses in development of scholarly approaches to variously combined aspects of the:
- Arts
- Globalization
- Curation
- Film
- Ritual
- Colonialisms
- Politics
- Healing
- Critical dance studies
Interesting in applying to our graduate programs? Then learn about admissions now.
In the News
New chair of World Arts and Cultures/Dance likes how ‘peculiarity provokes questions.’ Q&A with Dan Froot on interdisciplinary scholarship and the importance of art as a tool for justice. Dan Froot is a producer, composer, choreographer, writer, saxophonist, dancer, actor and director. He has performed his dance, music and theater work throughout the United States and overseas since 1983. (photo by John Pemble)
Click here to read the full interview.
Crunch Time for Kyle Abraham at the New York City Ballet The company’s first black choreographer in more than a decade fine-tunes his first ballet, with the help of Robyn and Prince. Photo by Tatiana Wills.
Click here to read the full article from the New Yorker.
Self-Defense as Social Justice -- Spotlight on Jay O'Shea We’ve talked before about the “power of one,” and how one woman can have an impact on one community that can then go on to impact the entire world. Janet (Jay) O’Shea, a professor of World Arts and Cultures/Dance at UCLA, an accomplished martial artist, and ESD Global Camp 2017 participant, is a perfect example of that power. O’Shea’s journey into the world of empowerment self-defense began in 2015, when a debate on campus erupted in which self-defense was portrayed as victim blaming.
Click here to read the full article.
